
Parramatta River Bank Reflected by Trish Jean: After discovering in middle life that I was an artist through a connection made to the Peacock Gallery in Auburn, I moved to Sydney to be closer to my art community. I have been part of a number of Western Sydney based artistic communities and participated in exhibitions and writers’ performances.
Peter Cartwright
Parramatta Riverbank Reflected
After the image by Trish Jean
The river? No time for its absurd bank
water spinning sliding
Its existential angst.
People escaping close by
the bridge the park is drunk
Teeth surround a cup
a spaceship the name of a bank
Grass trees sky meld
hemi/spherical views broken
acid dreams fish eye drugs
ripple
the sky and ground
Picnics with silver arrows
green carpets wooden fingers
stroking heaven
Macquarie’s memory stands nonchalantly
I can be pragmatic
stumble
and not bother understanding
steal bits
here and there
so steel bits can stand
not contemplating
suicide rebellion revolution
the theft that all comes naturally
I’m a practical character
unperturbed
by the absurdity of it all
watching poverty
throw cups
in the street
while wealth is
in its cups
in the cafés
by the river
You say we should stop
for coffee
I’m hungry
for a glass of wine
and a chair that leans sensibly
against the river spinning.
Peter Cartwright has been called Parramatta’s poet and been awarded
in ZineWest. He writes about life in Western Sydney in a wide variety of styles.
Tunnel Vision
Arna Radovich
within the circle—
striations, corrugations
ribs of colour and
refractions of perspective
what we imagine solid
is never
anything but
an illusionary reality
truth distorted out of shape
focus narrowing by the day—
the disconnect between what we see
and what we think we see becoming
what we want to see
Arna Radovich is a Blue Mountains writer of short fiction and hybrid poetry. www.arnaradovich.com.au
Artist Comment: Arna directly addresses the shape and movement of the water as well as the less tangible aspects of a reflection moved by ripples. This movement is then cleverly brought to the experience of the viewer who is invited to consider the movement of a journey of possible realisation, thus bridging the photograph and the poem through a uniting engagement. A wonderful ekphrasis.